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Cheap De-Miners, 2000Etching with hand coloring on white wove paper9 3/8 x 12 5/8 in (23.8 x 32.1 cm)Edition of 80 plus 5 APThe Tragedy of War
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Is it Safe?, 2000Etching with hand coloring on wove paper10 3/8 x 18 in (26.4 x 45.7 cm)Edition of 100 plus 5 APThe Tragedy of War
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Laptop Bombardiers, 2000Etching on wove paper11 x 14 1/8 in (27.9 x 35.9 cm)Edition of 80 plus 5 APThe Tragedy of War
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Rape of Child, 2000Etching on heavy white wove paper12 x 18 in (30.5 x 45.7 cm)Edition of 80 plus 5 APThe Tragedy of War
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Refugees, 2000Etching on heavy weight white Rives paper8 x 11 7/8 in (20.3 x 30.2 cm)Edition of 80 plus 5 APThe Tragedy of War
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Silencing the Opposition, 2000Etching on heavy off-white wove paper9 1/8 x 10 in (23.2 x 25.4 cm)Edition of 150 plus 5 APThe Tragedy of War
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Small Bear at Roadside Zoo, 2000Etching on heavy white Rives paper4 3/4 x 2 5/8 in (12.1 x 6.7 cm)Edition of 294 plus 10 APAnimal Rights
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Spider Silk Gene/Bullet Proof Vest, 2000Etching with hand coloring on off-white wove paper5 x 7 1/2 in (2.7 x 19.1 cm)Edition of 100 plus 5 APThe Tragedy of War
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The First Casualty of War is Truth, 2000Etching on heavy white wove paper6 1/2 x 9 3/8 in (6.5 x 23.8 cm)Edition of 120 plus 5 APThe Tragedy of War
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They Need a Good Lawyer, 2000Etching on heavy white Rives paper5 x 6 in (12.7 x 15.2 cm)Edition of 300 plus 10 APAnimal Rights
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Those With Guns Eat First, 2000Etching on heavy white wove paper12 x 18 in (30.5 x 45.7 cm)Edition of 100 plus 10 APTragedy of War
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Upper and Lower Primates, 2000Etching on wove paper13 x 20 7/8 in (33 x 53 cm)Edition of 100 plus 10 APThe Tragedy of War
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War Street, 2000Etching on wove paper with hand coloring9 3/8 x 12 5/8 in (23.8 x 32.1 cm)Edition of 35 plus 5 APThe Tragedy of War
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Belgrade Zoo: Mad Rhino, 1999Lithograph on heavy white wove paper34 x 24 in (86.4 x 61 cm)Edition of 11Zoochosis
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Belgrade Zoo: Mad Tiger, 1999Lithograph on heavy white wove paper33 3/4 x 23 1/2 in (85.7 x 59.7 cm)Edition of 7 plus 1 APZoochosis
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The Fate of the Abandoned, 1999Lithograph on cream Arches paper17 x 15 in (43.2 x 38.1 cm)Edition of 50 plus 1 artist's proofThe Pit, The Tragical Tale of the Rise and Fall of a Vivisector (aka Pit's Letter)
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The Nuclear Family Goes Shopping, 1999Lithograph on heavy off-white wove paper18 x 13 1/4 in (45.7 x 33.7 cm)Edition of 20 plus 5 AP
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What a Golden Beak! (They Want War), 1999Etching with hand coloring on off-white Arches paper7 3/4 x 11 7/8 in (19.7 x 30.2 cm)Edition of 75 plus 5 APThe Tragedy of War
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Second Millennium, 199816 color screenprint photo-lithograph on heavy white watermarked paper21 7/8 x 22 5/8 in (55.6 x 57.5 cm)Edition of 100 plus 10 APThe Pit, The Tragical Tale of the Rise and Fall of a Vivisector (aka Pit's Letter)
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They Made Themselves Extinct, 1997Lithograph on antique Somerset Satin paper20 x 15 in (50.8 x 38.1 cm)Edition of 108 plus 10 artist's proofsAnimal Rights
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Upper and Lower Primates, 1997Lithograph on antique Somerset Satin paper20 x 15 in (50.8 x 38.1 cm)Edition of 64 plus 3 artist's proofsAnimal Rights
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Turnabout is Fair Play, 1996Photo-etching on white heavy weight Rives paper14 x 11 in (35.6 x 27.9 cm)Edition of 1000 plus 10 APAnimal Rights
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AIDS: Suite of 10 prints, 1994Seven etchings and three photo-etchings (one hand-colored) on cream Perusia CM Fabriano paper14 x 10 3/4 in (35.5 x 27.3 cm)Edition of 40 plus 2 artist's proofsAIDS
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Anthony, 1994Line etching on white heavy weight Rives paper6 x 9 in (15.2 x 22.9 cm)Edition of 125AIDS
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Blue Bath, 1994Photo-etching on white heavy weight Rives paper (not colored)12 x 8 in (30.5 x 20.3 cm)Edition of 125The AIDS Series
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Gary's Last Portrait, 1994Line etching on white heavy weight Rives paper9 x 5 7/8 in (22.9 x 14.9 cm)Edition of 125The AIDS series
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Infectious Disease Clinic, 1994Photo-etching on white heavy weight Rives paper4 3/4 x 8 1/2 in (12.3 x 21.6 cm)Edition of 125The AIDS series
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Kaposi's Sarcoma, 1994Photo-etching on white heavy weight Rives paper12 x 8 in (30.5 x 20.3 cm)Edition of 125The AIDS series
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Patient and Doctor, 1994Line etching on white heavy weight Rives paper6 x 4 3/4 in (15.3 x 12.1 cm)Edition of 125 plus 5 artist's proofsThe AIDS series
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The Cough, 1994Line etching on white heavy weight Rives paper12 x 8 in (30.3 x 20.3 cm)Edition of 125The AIDS series
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The End of Me, 1994Line etching on white heavy weight Rives paper7 3/4 x 6 in (19.7 x 15.2 cm)Edition of 125The AIDS series
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The West Meets the Rest, 1994Photo-etching on white heavyweight Rives paper18 1/4 x 7 5/8 in (46.4 x 19.4 cm)Edition of 500 plus 5 artist's proofs
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Tony, 1994Line etching on white heavy weight Rives paper9" x 6" (22.9 x 15.2 cm)Edition of 125 plus 12 artist's proofsAIDS
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New World Order, Europe in the 90's: Immigrants GO HOME, 1993Lithograph with red gouache hand coloring on gray, B.F.K. Rives paper30 1/8 x 22 in (76.5 x 55.9 cm)Edition of 20 plus 2 artist's proofs
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Standing Pig, 1993Etching on gray B.F.K. Rives paper9 x 11 3/4 in (22.8 x 29.9 cm)Edition of 18 plus 2 artist's proofsPorkopolis
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Heel of the Boot, 1992Photo-etching on white heavyweight Rives paper17 1/2 x 13 3/4 in (44.2 x 34.9 cm)Edition of 250 plus 20 artist's proofs
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It's a Picnic, 1992Photo-etching on white heavyweight Rives paper16 1/4 x 11 5/8 in (41.3 x 29.5 cm)Edition of 250 plus 25 APPorkopolis
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La Union Hace La Fuerza! (In Unity There is Strength!) (Battered Women's Shelter), 1992Lithograph on white Arches paper14 3/4 x 11 3/8 in (37.5 x 28.9 cm)Edition of 21 plus 3 artist's proofsWomen's Rights
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Malcolm X and J. Edgar Hoover, 1992Photo-etching on cream heavyweight Rives paper16 x 9 1/4 in (40.6 x 23.5 cm)Edition of 150
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Riot, 1992Photo-etching on cream heavyweight Rives paper13 1/2 x 17 1/2 in (34.2 x 44.5 cm)Edition of 150
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Supreme Court, 1992Photo-etching on cream heavyweight Rives paper12 1/2 x 19 1/2 in (31.7 x 49.5 cm)Edition of 150 plus 5 AP
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Thank You America (Anita Hill), 1992Photo-etching on white heavyweight Rives paper15 1/4 x 10 in (39 x 25.4 cm)Edition of 175 plus 15 artist's proofsWomen's Rights
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The Environmental President, 1992Lithograph on grey Rives B.F.K. paper13 1/8 x 10 in (33.3 x 25.4 cm)Edition of 40 plus 4 artist's proofs
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We Will Not Go Back, 1992Photo-lithograph and gouache on cream Rives paper26 3/8 x 19 in (67 x 48.3 cm)Edition of 23 plus 2 APWomen's Rights
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We Will Not Go Back, 1992Lithograph and gouache on white B.F.K. Rives paper21 x 15 3/4 in (53.3 x 40 cm)Edition of 23 plus 2 artist's proofsWomen's Rights
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Bomb Shelter, 1991Photo-etching on white heavyweight Rives paper9 5/8 x 10 1/2 in (24.5 x 26.7 cm)Edition of 292 plus 23 APIraq War
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Feed Lot, 1991Lithograph on white heavyweight Arches Cover paper18 3/8 x 18 1/8 in (46.6 x 35.9 cm)Edition of 100 plus 10 artist's proofsPorkopolis
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Health Care (Not Warfare), 1991Photo-etching on white heavyweight Rives paper14 x 11 in (35.5 x 27.9 cm)Edition of 10 plus 4 artist's proofsRoad to the White House
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Jimmy Carrying Veal, 1991Etching with aquatint on white heavyweight Rives paper11 3/8 x 7 in (28.9 x 17.8 cm)Edition of 125Porkopolis
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Just Say No, 1991Photo-etching on white heavyweight Rives paper7 3/8 x 8 7/8 in (18.7 x 22.5 cm)Edition of 150 plus 15 APPorkopolis
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Newshound, 1991Photo-etching on white heavyweight Rives paper10 5/8 x 10 3/4 in (27.2 x 27.3 cm)Edition of 75 plus 25 AP
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Selection for Slaughter, 1991Etching and aquatint on buff Arches paper18 x 12 in (45.7 x 30.5 cm)Edition of 60 plus 10 APPorkopolis
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Thank You America (Anita Hill), 1991Photo-lithograph and gouache on cream BFK Rives paper with hand coloring (red french on the tabloid, white gouache on the flames)30 x 22 1/2 in (76.2 x 57.2 cm)Edition of 30 plus 3 APWomen's Rights
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The New World Order, 1991Photo-etching on white heavyweight Rives paper13 3/8 x 10 5/8 in (34 x 27 cm)Edition of 287 plus 25 AP
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The Selection, 1991Lithograph on cream B.F.K. Rives paper30 x 22 in (76.2 x 55.9 cm)Edition of 20 plus 2 artist's proofsPorkopolis
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The Veal Skinner, 1991Lithograph on cream Rives BFK paper30 x 22 in (76.2 x 55.9 cm)Edition of 24 plus 1 artist's proofPorkopolis
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Where's the Good Shepherd?, 1991Etching and aquatint on white heavyweight Rives paper12 x 8 1/8 in (30.5 x 20.6 cm)Edition of 125 plus 16 APPorkopolis
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AIDS and the Federal Government, 1990Photo-etching on white heavyweight Rives paper13 x 19 in (33 x 48.3 cm)From the final edition of 85 impressions
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Exxon Gets Away with Murder, 1990Etching on white heavyweight Rives paper5 1/8 x 3 1/2 in (13.2 x 8.9 cm)Edition of 175 plus 12 artist's proofsPorkopolis
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Judas Goat, 1990Etching and aquatint on white heavyweight Rives paper9 3/4 x 16 in (24.7 x 40.6 cm)Edition of 100 plus 12 artist's proofsPorkopolis
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Mobilize/The Gulf, 1990Etching on heavy white Rives paper3 3/4 x 6 3/4 in (9.5 x 17.2 cm)Edition of 93 plus 8 APIraq
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Modern Man Followed by the Ghosts of His Meat, 1990Photo-etching on white heavyweight Rives paper10 1/2 x 14 in (26.7 x 35.6 cm)Edition of 1074 plus 20 artist's proofsPorkopolis
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Shell's Exxon, 1990Etching on heavy white Rives paper3 3/4 x 6 3/4 in (9.5 x 17.2 cm)Edition of 96 plus 8 APIraq War
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Singeing, 1990Etching and aquatint on white heavyweight Rives paper9 x 9 in (23 x 22.9 cm)Edition of 75 plus 5 APPorkopolis
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The Tail That Wagged the Dog, 1990Suite of fourteen prints. Two linoleum cuts (#1 and #10) on Tosa Hanga paper; 12 etchings with aquatint (#2-9, 12-14) on Rives heavyweight white,
with cover sheet and portfolio case (Speckletone Kraft Coverstock).8 x 4 3/4 in (20.3 x 12.1 cm)Edition of 60 plus 12 AP -
Colorado, 1989Etching and aquatint on white heavyweight Rives paper7 1/2 x 4 3/8 in (19 x 11.1 cm)Edition of 78 plus 4 artist's proofsPorkopolis
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Denver, 1989Aquatint on white heavyweight Rives paper9 3/4 x 15 1/4 in (24.9 x 38.7 cm)Final edition of 31Porkopolis
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Hot House Lambs, 1989Etching and aquatint on white heavyweight Rives paper4 1/4 x 4 3/4 in (10.8 x 12.1 cm)Edition of 80 plus 6 artist's proofsPorkopolis
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Pig Improvement Company, 1989Etching and aquatint on heavy, off-white white watermarked Rives paper12 1/2 x 12 in (31.8 x 30.5 cm)Edition of 74Porkopolis
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Sticking, 1989Etching and aquatint on white heavyweight Rives paper5 5/8 x 8 1/2 in (14.3 x 21.6 cm)Edition of 75 plus 5 APPorkopolis
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The Boot, 1989Etching and aquatint on white heavyweight Rives paper9 x 5 7/8 in (22.9 x 14.9 cm)Edition of 45Porkopolis
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The Hot Floor, 1989Etching and aquatint on white heavyweight Rives paper7 3/4 x 7 1/4 in (19.7 x 18.4 cm)Edition of 90Porkopolis
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What's Your Cut?, 1989Etching on white heavyweight Rives paper4 3/4 x 8 7/8 in (12.1 x 22.5 cm). Sheet sizes varyFinal edition of 177 plus 16 APPorkopolis
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The Auction, 1988Photo-etching with silkscreen and hand coloring on cream Rives BFK paper13 1/4 x 14 5/8 in (33.6 x 37.2 cm)Edition of 100Porkopolis
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The Auction, 1988Photo-etching with silkscreen and hand-coloring on cream Rives BFK paper13 1/4 x 14 5/8 in (33.6 x 37.2 cm) (Image)
Sheet size: 30 x 22 inEdition of 100 plus 5 artist's proofsPorkopolis -
The Nocking Pen, 1988Etching and aquatint on white heavyweight Rives paper9 1/2 x 6 3/8 in (24.2 x 16.2 cm)Edition of 46 plus 6 APPorkopolis
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Capitalism, 1987Photo-etching on Rives paper14 x 10 1/4 in (35.6 x 26 cm)Final edition of 329
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Meat and Pork for Your Fork, 1987Lithograph on buff Rives BFK paper (numbers 1–29) and tan Rives BFK paper (numbers 30-50)30 1/8 x 22 1/8 in (76.5 x 56.2 cm)Edition of 50 plus 10 APPorkopolis
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The Landlord/The Tenant, 1985Two photo-etchings on heavy off-white wove paper13 3/8 x 22 1/4 in (34 x 56.4 cm)Edition of 3
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Bedford Rape, 1984Photo-etching on Rives paper9 3/4 x 11 in (24.8 x 27.9 cm)Edition of 91 plus 5 artist's proofsWomen's Rights
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