All Good Art is Political: Käthe Kollwitz and Sue Coe: Galerie St. Etienne, New York, NY

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  Traffic Violation, 1986

  Oil on canvas

  58 3/8 x 30 1/8 in (148.3 x 76.5 cm)
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  Police State, 1986

  Oil on gessoed paper

  53 x 31 in (134.6 x 78.7 cm)

  Series: Police State and Malcolm X
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  Welcome to the City of Gold (South Africa, Too Much Blood on the Gold), 1983

  Mixed media on canvas

  70 x 56 in (177.8 x 142.2 cm)

  Series: How to Commit Suicide in South Africa
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  How to Commit Suicide in South Africa, 1983

  Mixed media and collage on paper

  38 x 52 in (96.5 x 132.1 cm)

  Series: How to Commit Suicide in South Africa and Police State

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  Active TB in Harlem, 1985

  Graphite on off-white Strathmore Bristol board

  22 x 15 1/4 in (55.9 x 38.7 cm)
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  Brixton Riot, 1985

  Graphite, gouache, and collage on off-white Strathmore Bristol board

  22 x 30 in (55.9 x 76.2 cm)

  Series: Police State
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  Homeless Women in Penn Station, 1985

  Graphite on white Strathmore Bristol board

  30 x 22 in (76.3 x 55.9 cm)

  Series: Police State
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  Woman Shot in Back (Brixton Riot), 1985

  Graphite and gouache on off-white Bristol board

  30 x 22 in (76.2 x 55.9 cm)

  Series: Police State

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  Ham Scrubber, 1988

  Watercolor and graphite on white Strathmore Bristol board

  21 x 21 in (53.3 x 53.3 cm)
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  Farmer John's Meat Packing Plant, Worker Waits for Bus, 1988

  Watercolor and graphite on off-white Strathmore Bristol board

  30 x 22 1/8 in (76.2 x 56.2 cm)

  Series: Porkopolis
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  Getting the Chop (Union), 1989

  Graphite, gouache, and watercolor on white Strathmore Bristol board

  30 x 40 in (76.2 x 101.6 cm)

  Series: Porkopolis
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  Lambs to the Slaughter, 1989

  Graphite, watercolor, collage and Rembrandt printer's ink on white Strathmore Bristol board

  51 3/8 x 37 1/2 in (130.5 x 95.3 cm)

  Series: Porkopolis

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  The Occupation of Panama, 1990

  Graphite and ink on white Strathmore Bristol board

  40 x 30 in (101.6 x 76.2 cm)
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  Demonstrator Times Square, 1991

  Graphite on C.M. Fabriano paper

  22 1/8 x 15 in (56.2 x 38.1 cm)

  Series: Road to the White House
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  Healthcare Not Warfare (Patriotism), 1991

  Graphite, gouache, and ink on white Strathmore Bristol board

  29 x 23 1/8 in (73.9 x 58.8 cm)

  Series: The Road to the White House
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  War, 1991

  Graphite and gouache on white Strathmore Bristol board

  22 5/8 x 18 1/2 in (57.5 x 47 cm)

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  Veal Skinner, 1991

  Graphite on white Strathmore Bristol board

  17 1/4 x 9 1/8 in (43.8 x 23.2 cm)

  Series: Porkopolis & Cruel
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  Soon You Will Be Free (Pronto Siraz Libre), 1992

  Graphite, ink and gouache on white Strathmore Bristol board

  23 1/8 x 27 5/8 in (58.7 x 70.2 cm)
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  Holding Cells at Back of Courtroom, 1992

  Graphite, charcoal and gouache on white Strathmore Bristol board

  29 x 23 1/8 in (73.7 x 58.8 cm)

  Series: The Night Court Series
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  Homeless Woman Dressed in Garbage Bags, 1992

  Graphite on white Strathmore Bristol board

  29 x 23 1/8 in (73.7 x 58.8 cm)

  Series: The Road to the White House

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  Home From Home, 1992

  Graphite and gouache on white Strathmore Bristol board

  29 x 23 1/8 in (73.7 x 58.8 cm)

  Series: The Road to the White House
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  Waiting in Line Outside the Court Building, 1993

  Graphite, ink and gouache on white Strathmore Bristol board

  29 1/8 x 23 1/8 in (74 x 58.7 cm)

  Series: The Liverpool Series
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  Lung Disease, Including TB, Is Rampant in Sweat Shops, 1994

  Charcoal, graphite, watercolor and gouache on white Strathmore Bristol board

  29 x 23 in (73.6 x 58.4 cm)

  Series: Sweatshop
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  Laptop Bombardiers, 2000

  Etching on wove paper

  11 x 14 1/8 in (27.9 x 35.9 cm)

  Edition of 80 plus 5 AP

  Series: The Tragedy of War

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  Prison Journal: Pam, 2006

  Graphite and watercolor on heavy white wove paper, mounted on white Strathmore Bristol board

  21 1/2 x 22 in (54.6 x 55.9 cm)

  Series: Through Her Own Eyes: Women with HIV in Prison
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  Abolition: Meat Free Every Day, 2014

  Woodcut on cream Japan paper

  17 3/4 x 15 1/2 in (45.1 x 39.4 cm)

  Edition of 100 plus 2 AP

  Series: Animals' Vegan Manifesto
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  Buy Stuff, 2016

  Linocut on thin white Rives paper

  7 1/4 in x 5 7/8 in (18.4 x 14.9 cm)

  Edition of 100 plus 5 AP

  Series: Animals' Vegan Manifesto
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  Stop Violence, 2016

  Linocut on cream Rives paper

  9 3/8 x 7 7/8 in (23.8 x 20 cm)

  Edition of 100 plus 5 AP

  Series: Animals' Vegan Manifesto

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  Rescued (Safe at Last), 2016

  Linocut on thin white wove paper

  7 3/8 x 6 in (18.7 x 15.2 cm)

  Edition of 100 plus 5 AP

  Series: Animals' Vegan Manifesto
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  It Can Happen Here (Trump), 2016

  Linocut with hand coloring on off-white wove paper

  10 x 8 in (25.4 x 20.3 cm)

  Edition of 100 plus 5 AP

  Series: Era of Authoritarians
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  Unpresidented, 2017

  Linocut on thin white Rives paper

  10 x 7 1/2 in (25.4 x 19.1 cm)

  Edition of 100 plus 10 AP

  Series: Era of Authoritarians
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  Grenfell Tower (Corporate Murder), 2017

  Linocut on white Rives paper. Some printed with red smoke, some not.

  11 x 8 1/2 in (27.9 x 21.6 cm)

  Edition of 100 plus 5 AP

  Series: Era of Authoritarians

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  Alternative Facts, 2014/2017

  Lithograph worked over in gouache on white Strathmore Bristol board

  31 1/2 x 26 3/8 in (80 x 67 cm)

  Edition of 1

  Series: Era of Authoritarians