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Porkopolis/Dead Meat

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  • Early Works
  • Bully, Master of the Global Merry Go Round
  • Cruel
  • Elephants We Must Never Forget
  • How to Commit Suicide in South Africa
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  • Porkopolis/Dead Meat
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Open a larger version of the following image in a popup: Sue Coe, Cut and Run, 1989

Cut and Run, 1989

Watercolor, gouache, graphite and Rembrandt black printers ink on white Strathmore Bristol board
40 1/4 x 30 in (102 x 76.2 cm)
© Sue Coe
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%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3ECut%20and%20Run%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E1989%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EWatercolor%2C%20gouache%2C%20graphite%20and%20Rembrandt%20black%20printers%20ink%20on%20white%20Strathmore%20Bristol%20board%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E40%201/4%20x%2030%20in%20%28102%20x%2076.2%20cm%29%3C/div%3E

Literature

Camerawork: A Journal of Photographic Arts, Summer 1992, title page and p. 25

Publications

Sue Coe, Dead Meat, 1996, p. 104.
Stephen F. Eisenman, The Ghosts of Our Meat exhibition catalogue, 2013, p. 53, plate 9
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